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By Subhash Okay Jha
Por Thozhil(Tamil)
Rating: *** ½
The writing in Por Thozhil, a serialkiller police procedural with balls brains and brio , is so centered and unique, it seems like a primary(which it’s , contemplating that is Applause Entertainment’s first foray in Tamil Cinema) though we’ve got seen so many movies on this chilling style, proper from the time when Hannibal Lectar impressed Raman Raghav , and Anurag Kashyap made a profession out of bloodthirsty sagas soaked in blood and marionated in mayhem.
Por Thozhil is neither over-violent nor does it journey over its personal smartness. The two principal actors play towards each other with restraint .And the background rating doesn’t dissipate the non-visual area.
There is one thing solidly partaking about Por Thozhil’s fabulous deconstruction of the formulaic cinema. Consider the core forged.Sarath Kumar and Ashok Selvan make excellent matches because the cantankerous unfriendly cynical senior cop Lokanathan (about whom a health care provider says , “I’d rather graze cows than treat such people”) and a shaky rookie Prakash who learns the ropes from the senior who initially refuses pointblank to mentor the novice.
Also alongside for the bumpy however riveting experience from Chennai to Trichy is one other charming junior cop Veena( Nikhila Vimla). I’m not too positive what her perform is within the police procedural besides to drop a touch of a romance with Prakash. Luckily,there are not any romantic diversions , no love songs… The taut plot sticks to the purpose available.
And we’re by no means shortchanged by the screenplay.The tempo seldom slackens aside from the occasional banter between characters who must loosen up through the relentless pursuit of the killer on the prowl.
The movie opens with two cops driving down a darkish highway with one grumbling to the opposite that he doesn’t get time to have intercourse along with his new spouse due to his evening responsibility.The alternate has little relevance to the cat-and-mouse chase that follows, besides to remind us that cops lead a very unplanned life.
The proceedings by no means surrender on being partaking.We are tirelessly tangled within the net of homicide, and when the killer is revealed halfway , the writing goes off in pursuit of an unexpected twist that takes us dragging and kicking to the tip.
What I discovered disturbing the killers’ backstory. They appear to be constructed to offer a justification for his or her brutality. There is a dialog on this tendency to humanize psychopathic behaviour between Lokanathan and Prakash which ends with one of the best line within the movie: “Not all troubled children grow up to be killers. Some of them become cops.”
To this we might add, not all serial-killer movies have interaction the viewers until the tip. But this one most actually does.
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