Home Entertainment Pathaan Box Office Collection Day 1: Shah Rukh Khan’s Film Is Bollywood’s Biggest Opener With Record Rs 55 Crore

Pathaan Box Office Collection Day 1: Shah Rukh Khan’s Film Is Bollywood’s Biggest Opener With Record Rs 55 Crore

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Pathaan Box Office Collection Day 1: Shah Rukh Khan’s Film Is Bollywood’s Biggest Opener With Record Rs 55 Crore

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Pathaan Box Office Collection Day 1: Shah Rukh Khan's Film Is Bollywood's Biggest Opener With Record Rs 55 Crore

Pathaan poster. (courtesy: @taran_adarsh)

Pathaan, which marked the comeback of Shah Rukh Khan after 4 years, collected a record-breaking Rs 55 crore on the Indian field workplace on the primary day of the discharge, as per commerce analyst Taran Adarsh. Pathaan is now the “biggest opener” in Hindi cinema. Pathaan‘s opening day assortment takes it previous the Hindi dubbing of KGF: Chapter 2. The movie, co-starring Deepika Padukone and John Abraham in lead roles, pushes War and Thugs Of Hindostan down from their earlier positions of second and third behind KGF: Chapter 2. 

Taran Adarsh tweeted, “PATHAAN‘ CREATES HISTORY, BIGGEST DAY 1 TOTAL. Pathaan is now BIGGEST OPENER [Hindi films] in India. *Day 1* biz… Pathaan: Rs 55 cr [Non-holiday] KGF2 #Hindi: Rs 53.95 cr War: Rs 51.60 cr TOH: Rs 50.75 cr Nett BOC. India biz.” 

Read Taran Adarsh’s tweet under:

Helmed by Siddharth Anand and produced by Yash Raj Films, the film broke information by way of advance reserving. Pathaan recorded the second-highest pre-release ticket gross sales for Day 1 – 5.5 lakh. Only KGF 2‘s Hindi dub offered extra upfront bookings.

Pathaan, launched yesterday (January 25), witnessed audiences in enormous numbers at theatres for early morning exhibits. Across India, the followers had been noticed celebrating the discharge by bursting crackers and dancing to the dhol beats. Take a have a look at the movies from Mumbai and Kolkata under:

Saibal Chatterjee, in his review for NDTV, wrote, “The most striking aspect of Pathaan, a masala entertainer at heart, is that it has the gumption to go beyond the parameters of a massy movie and produce sharp, insightful moments that serve as a commentary on pressing issues of the day. It is far more about humanity than about shallow patriotism, which, coming at a time when the Mumbai movie industry thrives on the othering and demonising of communities to further a dominant political narrative, is an act of courage that deserves to be celebrated.”

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