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Review: Deep Purple evokes best years on mighty ‘Whoosh!’

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Review: Deep Purple evokes best years on mighty ‘Whoosh!’

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Review: Deep Purple evokes best years on mighty 'Whoosh!'

This cover image released by earMUSIC shows “Whoosh!” by Deep Purple.




Deep Purple, “Whoosh!” (earMUSIC)

“Whoosh!” makes it three-for-three for the pairing of Deep Purple and producer Bob Ezrin, an album that at its numerous heights evokes the band’s most successful era of the early ‘70s.

With a stable lineup for nearly 20 years, the hard rock pioneers’ new album is built on its best assets: Ian Gillan’s robust vocals, the sturdy foundation set by the rhythm section of Ian Paice and Roger Glover, Steve Morse’s inventive inventory of six-string tones and phrasings, and Don Airey’s Hammond A-100.

An album’s first song is not necessarily its first single, but “Throw My Bones,” which is both, is aural candy of the first order and a magnificent reintroduction after the three-year break since the previous studio effort, “Infinite.”

“Drop the Weapon,” a call for de-escalation and wise choices; “We’re All the Same In the Dark,” a tongue-in-cheek, slightly desperate pick-up line; the decibel-denouncing “No Need to Shout”; and the haunting “Step By Step” all keep the needles in or near the red.

Even among top-notch individual performances and the ensemble’s cohesion, Airey’s keyboard excellence stands out and his and Morse’s Bach-like runs on power ballad “Nothing at All” — with plenty more potency than balladry — are magnificent.

As for instrumental “And the Address,” is Deep Purple really saying goodbye or is its place in the running order, and the mere fact that it was re-recorded, only a tease in the way the Beatles fed the “Paul is dead” rumors with clues in songs supposedly confirming his premature demise? After all, the group’s 2017-2019 tour was called “The Long Goodbye” but concerts are planned, post-pandemic, behind this album, as well.

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