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Review: Steve Howe’s ‘Love Is’ echoes Yes but needs more

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Review: Steve Howe’s ‘Love Is’ echoes Yes but needs more

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Review: Steve Howe's ‘Love Is’ echoes Yes but needs more

This cover image released by BMG shows “Love Is” by Steve Howe.




Steve Howe, “Love Is” (BMG)

Steve Howe’s guitar mastery was a key component of the success of prog-rock masters Yes and you can hear some of his trademark acoustic and electric sounds on “Love Is,” his first solo album since 2011.

Occasionally overly mellow and held back by his limited vocal range, the album still has enough flashes of Howe’s stringed wizardry to attract a crowd.

Beyond his work with Yes, Asia and GTR, to name a few of the lineups he’s anchored over the years, Howe has also appeared on songs by acts as diverse as Queen, Lou Reed and Frankie Goes to Hollywood.

Howe performs just about every sound on “Love Is,” and the 10 compositions are split evenly between instrumentals and songs, alternating in the running order. His son Dylan plays drums and Jon Davison, the singer in the current Yes formation led by Howe, handles backing vocals and bass on the songs.

Opener “Fulcrum” has a “Christmas with Hank Marvin” vibe, while “See Me Through” is catchy and well-paced but a stronger lead voice could have put it over the top.

Howe described the quasi-title tune, “Love Is A River,” as “a sort of quintessential track,” and its changes of pace and mix of environmental and mystical preoccupations make it one of the most Yes-sounding efforts here.

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