Home FEATURED NEWS The exceptional story of a fiery Indian courtesan

The exceptional story of a fiery Indian courtesan

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  • By Cherylann Mollan
  • BBC News, Mumbai

Image supply, Manish Gaekwad

Image caption,

A photograph of Rekhabai, taken within the Nineteen Nineties in Kolkata

“I danced in the dark. I used to light up the room with candles and perform. In the blackout, my naseeb (fate) was going to shine.”

Fear gripped individuals as wailing sirens and days-long blackouts turned part of day by day life. The future appeared unsure.

But Rekhabai would not let the concern of dying dictate her future. Instead of shutting store like the opposite courtesans (ladies entertainers), she would gown up in a lovely sari evening after evening and sing and dance for the teams of males who got here to observe her within the kotha – a Hindi phrase for a spot the place skilled feminine dancers carried out for males, or typically, even a brothel.

Her life had taught her that hardship was typically a gateway to alternative, or a minimum of, survival. Rekhabai’s tumultuous life is now the topic of a ebook, The Last Courtesan – Writing My Mother’s Memoir, authored by her son Manish Gaekwad.

“My mother always wanted to tell her story,” Gaekwad says and provides that he felt no disgrace or embarrassment in narrating it as, having lived together with her within the kotha up till his late teenagers, her life was no secret to him.

“Growing up in a kotha, a child sees a lot more than he should. My mother knew this and didn’t feel the need to hide anything,” says Gaekwad. His ebook – written from the reminiscences his mom narrated to him – offers the reader an incredibly trustworthy look into the lifetime of an Indian courtesan is the mid-1900s.

Courtesans, also referred to as tawaifs in well-liked tradition, have been round since 2BC within the Indian subcontinent, says Madhur Gupta, an Odissi dancer and creator of Courting Hindustan: The Consuming Passions of Iconic Women Performers of India.

“They were women entertainers whose function was to entertain and pleasure royalty and the Gods,” says Ms Gupta. Before India got here beneath British rule, courtesans have been seen as revered performers; they have been extremely skilled within the arts, rich and loved the patronage of a number of the strongest males of their occasions.

Image supply, Bhansali manufacturing

Image caption,

The Hindi movie Gangubai Kathiawadi relies on the lifetime of courtesans

“But they also faced exploitation at the hands of men and society,” Ms Gupta says. India’s courtesan tradition started to say no after the British – who noticed them as “nautch girls” (dance ladies) or merely intercourse staff – enacted legal guidelines geared toward curbing the follow.

Their standing declined additional after India gained independence in 1947 and plenty of courtesans have been compelled to show to prostitution to outlive. The follow has fully died out now, however tales of famous courtesans and their fascinating lives live on in books and movies.

And one such story is that of Rekhabai.

She was born in a poor household within the western metropolis of Pune because the sixth amongst 10 siblings. Rekhabai does not bear in mind the precise yr or date, her reminiscence about time is hazy. Tired of siring 5 ladies, her drunk father allegedly tried to drown her in a pond after she was born.

At the age of 9 or 10, she was married off to settle a household debt, and was later bought by her in-laws to a kotha in Bowbazar space within the japanese metropolis of Kolkata.

She was not but an adolescent when she started coaching as a tawaif, studying to sing and dance. But her life and earnings have been managed by a feminine relative who was additionally a courtesan there.

During the India-China battle, the relative left and Rekhabai acquired an opportunity to take cost of her personal life. Her candlelight performances helped her grow to be unbiased and left her with the realisation that she could possibly be her personal supplier and protector if she was courageous sufficient.

This would grow to be her tenet for the remainder of her life. Rekhabai – not like her well-known Bollywood counterparts within the movies Umrao Jaan and Pakeezah – by no means pined after a person. She selected to not remarry, regardless of having an extended checklist of patrons who courted her – from small-time criminals to wealthy sheikhs and famend musicians – as it will imply having to surrender her life as a tawaif and go away the kotha.

The kotha – the small house during which she carried out, lived, raised her little one and sheltered varied members of her household at totally different occasions – satirically turned an emblem of freedom and energy for her.

Yet, it was additionally an area fraught with battle and hardship, the place circumstance ate away at innocence, stripped away humanity and evoked harmful feelings like rage, concern and despair.

Image supply, Manish Gaekwad

Image caption,

A photograph taken within the Congress House kotha in Bombay within the Eighties

In the ebook, Gaekwad narrates some deeply distressing reminiscences his mom recounts, like when a thug pulled out a gun to shoot her after she refused to marry him.

In one other place, Rekhabai recounts the abuse she confronted from courtesans who have been jealous of her success. Some tried to intimidate her by hiring gangsters to lurk outdoors her room; others referred to as her a prostitute when she wasn’t one.

But the kotha additionally cast her into the steely lady she turned finally. It’s the place she found her expertise as a dancer, and the ability it wielded over males seeking to escape their very own insecurities or the tedium and melancholia of life.

It’s the place she learnt to learn males by the way in which they handled her and to placate egos when wanted, or shred them to bits in the event that they threatened to destroy her personal.

“I had mastered the language of the kotha. I had to speak it if required,” she says.

But together with this feisty, charming, street-smart performer, the kotha additionally noticed Rekhabai remodel right into a doting, fiercely-protective mom who did every little thing in her energy to present her son a greater life.

Image supply, Getty Images

Image caption,

The courtesan character has featured in lots of Bollywood movies

As a child, she stored him near her within the kotha. She remembers how she would run to inspect him between performances if she thought she heard him cry.

Later, she despatched him to a boarding college after which purchased an condo in order that he might invite his buddies over with out feeling embarrassed.

She took satisfaction within the man her son was rising into – although his English medium-education and extra refined upbringing within the boarding college made him totally different from her in some ways.

In a heart-warming anecdote, she remembers a time her son, who was visiting throughout holidays, asks for a fork and spoon to eat with.

“I knew of forks [kaanta in Hindi], but I had never heard what it was called in English before… I had to go to the market to buy them when you explained [what it was],” she says within the ebook.

In the late 2000s, the courtesan tradition had fully vanished and Rekhabai left the kotha to stay in her condo in Kolkata. She died within the western metropolis of Mumbai in February. Gaekwad says he’ll at all times stay in awe of his mom, her fortitude, expertise and zest for all times.

“I hope men read this book,” he says, and provides that Indian males have these “constructs around the mother figure, where she has to be a paragon of purity”.

“But I hope this book helps people identify the individuality of their mothers and accept who they are as people, independent from their relationship with us.”

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